asterroc: (Smoothie)
I've got a sabbatical coming up Fall 2010. I'm seriously considering spending 6 months in Australia. For professional reasons, really! I want to see the night sky south of the equator, and I could do astrophotography. (On the personal side I really want to live in a place where cockatoos will come to my birdfeeder.)

So, I know very little about Australia except what I've just said. Help me find out (a) where I should do this, (b) how much it will cost, and (c) whether I need a visa! This's currently a pipe dream, but every dream starts somewhere.
asterroc: (doll)
I hate bodybuilders. Not the people, but their bodies. I find them disgusting, as in I can become physically nauseated looking at them. It's not simply that they're not human, but that they *were* human and no longer are.

But that said, one of my LJfriends in a locked post recently linked to two photo sets of female bodybuilders, both pages originally in Russian (Babelfish does a sufficient translation), which are worth relinking. Not because of anything in particular about the bodies, but because of the photography. See, most bodybuilding photography is about the bodybuilder's muscles. But these two sets express the woman behind her muscles.

The first set by Martin Sholler is from the book "Female Bodybuilders" and the photos are face-on portraits of the women. They are not photos of bodybuilders who happen to be women, they are portraits of women who happen to be bodybuilders. There is personality in their eyes, their mouths, that tell us if they're fun people to be around. Even their choice of how to style their hair, what earrings and bikinis to wear, tell us who they are.

Perhaps more amazing is the (NSFW) set by Bill Dobbins, "Amazons". This one reveals the sexuality of female bodybuilders. You don't - or at least I certainly don't - think of bodybuilders as attractive (I do not find bulimia enjoyable), and yet these nudes and lingerie-clad forms are displaying exactly that.

I still find bodybuilding quite bizarre, and their bodies repulsive, but it sheds a new light upon the women hidden inside the muscles.
P1050145

I saw this flag flying in Savannah, GA, on my road trip this summer, and at the time couldn't identify it. It's apparently the first version of the US flag, called the Grand Union Flag, flown unofficially from 1775 to 1777, when a flag was officially adopted, replacing the Union Jack in the canton (corner) with the more well known field of blue with 13 stars. The Grand Union Flag draws inspiration from the flag of the British East India Company.
I have heard it's possible to take multiple photos at different light exposure levels and combine them, and thereby get an image closer to what the human eye sees (since we can perceive both the bright things and dark areas at once, while a photo meters for only one or the other). I've seen these done by otheres, the prime example being the inside of an unlit church w/ light streaming in through stained glass windows; let me know if you know the artist's name.

Anyone have a suggestion on how to do this in P-shop or a similar program? What I have is a series of three photos that my camera took automatically bracketting one f-stop (or shutter speed) up and down, one right after the other. I'm thinking along the lines of having a background that's solid white (or black, or gray), then adding three semi-transparent layers, one for each image, and then adjusting the amount of transparency for each until I get something pretty. To make the issue more complicated, some of the images I'm thinking of playing with are of flowers that were swaying a bit with a breeze, so a good combined image might not be possible at all, or will require offsetting of the three images so that the flower looks good but the background does not.

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asterroc

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